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This Is America - An Anthology 2020-2021 (ICR023), by Johnny Gandelsman
This Is America - An Anthology 2020-2021 (ICR023) by Johnny Gandelsman, released 01 July 2022 1. Clarice Assad - "O", for violin & voices 2. Kinan Azmeh - "Sahra be Wyckoff", for violin 3. Layale Chaker - "Sinekemān", for violin 4. Christina Courtin - "Stroon", for violin 5. Olivia Davis - "Steeped", for violin - I. Impromptu 6. Olivia Davis - "Steeped", for violin - II. Moto perpetuo 7. Olivia Davis - "Steeped", for violin - III. Cadenza 8. Nick Dunston - "Tardigrades", for violin 9. Adeliia Faizullina - "Dew, Time, Linger", for violin 10. Rhea Fowler & Micaela Tobin - "A City Upon a Hill?", for violin & electronics 11. Rhiannon Giddens - "New To The Session", for violin 12. Marika Hughes - "With Love From J", for vocals & tenor guitar 13. Maya Miro Johnson - "Dance Suite", for violin - I. negating gravity on a molecular level (meditation) 14. Maya Miro Johnson - "Dance Suite", for violin - II. the virtue of lightness 15. Maya Miro Johnson - "Dance Suite", for violin - III. surrender to your tiredness (tragedy) 16. Maya Miro Johnson - "Dance Suite", for violin - IV. getting rid of our skin 17. Maya Miro Johnson - "Dance Suite", for violin - V. the sense of plenty of time (generosity) 18. Bojan Louis - "Dólii", for voice & electric tenor guitar 19. Dana Lyn - "a current took her away", for violin 20. Angélica Negrón - "A través del manto luminoso", for violin & electronics 21. Ebun Oguntola - "Reflections", for violin 22. Tomeka Reid - "Rhapsody", for violin 23. Terry Riley - "Barbary Coast 1955", for 5-string violin 24. Matana Roberts - "Stitched", for violin 25. Aeryn Santillan - "Withdraw", for violin 26. Tyshawn Sorey - "For Courtney Bryan", for violin 27. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - I. Blossom/American Dream 28. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - II. Fenestration/ All Men Are Created Equal 29. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - III. Inflorescence/The Pursuit of Happiness 30. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - IV. Propagation/A More Perfect Union 31. Conrad Tao - "Stones", for violin 32. Akshaya Tucker - "Pallavi - a Meditation on Care", for violin 33. Kojiro Umezaki - "Breathe", for violin & electronics To say that 2020 was a difficult year for the United States would be an understatement. Covid 19 took the lives of 385,000 people. Racism and police brutality took the lives of Ahmaud Arbery, George Floyd and Breonna Taylor, igniting nationwide and eventually worldwide protests. In California, the 4.2 million acres burned in 2020 were the most in a single year since records were kept, and more than the previous three years combined. Vicious election cycle rhetoric was boiling over, and conversations dominating cable news focused on what this country was, is, or should be. Unemployment skyrocketed. People were isolated, sick, scared and exhausted. In thinking about ways one person could make a small difference, it occurred to me that in many ways amplifying voices of others, whether it's those of centuries past, or ones of today, is an essential part of being a Classical musician. I decided to commission new works for violin from American and US-based composers, asking each one to reflect in some way on the time we were all living through. Some, like Kinan Azmeh, Christina Courtin and Kojiro Umezaki have been dear friends for decades; others like Maya Miro Johnson, Ebun Oguntola and Anjna Swaminathan were new connections; all were musicians whose artistry I respect and admire. I reached out to presenters across the country, looking for commissioning partners. As more parties signed on, the project grew; 22 new works were funded, written and recorded; rising to the surface were themes like loss and uncertainty, but also joy, friendship, gratitude and love. The process of getting to know these new works was illuminating. I found comfort in the works I knew how to approach; others required skills I wasn't good at, or never tried before, pushing me into directions I never thought I'd be exploring, and at times stretching my comfort level to what seemed like its absolute limits. My first reaction to those works was trepidation, and the old saying "you fear what you don't understand" rang in my head. I feel incredibly lucky to have had the composers gently guide me into their process, easing my worries with encouragement and allowing me to find my own way to bring their works to life. I'm definitely not a singer, nor can I play the guitar, but I'm glad I had the chance to try. I wish for all of us to experience that kind of thoughtful guidance when encountering things, people or ideas that we don't understand. My dear friend Justin Messina's work is the most recent commission, delivered in early 2022 - and as such, is not included on the album - I simply ran out of time to record. Sorry Justino. However, three works which weren’t originally part of this commissioning project are included: Layale Chaker, Dana Lyn and Akshaya Avril Tucker wrote about isolation, climate change, and recovery in 2018 - these universal themes will undoubtedly resonate for centuries to come. Over the course of the last 18 months I’ve come to think of this project as an anthology, a snapshot in time, documenting a tiny slice of the creative thought and output in this country today. I invite you to stop listening to pundits, extend your ears, open up your imagination, and trust the music to guide you into a challenging, complicated and thrilling sound world - This Is America. Johnny Gandelsman
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This Is America - An Anthology 2020-2021 (ICR023), by Johnny Gandelsman
This Is America - An Anthology 2020-2021 (ICR023) by Johnny Gandelsman, released 01 July 2022 1. Clarice Assad - "O", for violin & voices 2. Kinan Azmeh - "Sahra be Wyckoff", for violin 3. Layale Chaker - "Sinekemān", for violin 4. Christina Courtin - "Stroon", for violin 5. Olivia Davis - "Steeped", for violin - I. Impromptu 6. Olivia Davis - "Steeped", for violin - II. Moto perpetuo 7. Olivia Davis - "Steeped", for violin - III. Cadenza 8. Nick Dunston - "Tardigrades", for violin 9. Adeliia Faizullina - "Dew, Time, Linger", for violin 10. Rhea Fowler & Micaela Tobin - "A City Upon a Hill?", for violin & electronics 11. Rhiannon Giddens - "New To The Session", for violin 12. Marika Hughes - "With Love From J", for vocals & tenor guitar 13. Maya Miro Johnson - "Dance Suite", for violin - I. negating gravity on a molecular level (meditation) 14. Maya Miro Johnson - "Dance Suite", for violin - II. the virtue of lightness 15. Maya Miro Johnson - "Dance Suite", for violin - III. surrender to your tiredness (tragedy) 16. Maya Miro Johnson - "Dance Suite", for violin - IV. getting rid of our skin 17. Maya Miro Johnson - "Dance Suite", for violin - V. the sense of plenty of time (generosity) 18. Bojan Louis - "Dólii", for voice & electric tenor guitar 19. Dana Lyn - "a current took her away", for violin 20. Angélica Negrón - "A través del manto luminoso", for violin & electronics 21. Ebun Oguntola - "Reflections", for violin 22. Tomeka Reid - "Rhapsody", for violin 23. Terry Riley - "Barbary Coast 1955", for 5-string violin 24. Matana Roberts - "Stitched", for violin 25. Aeryn Santillan - "Withdraw", for violin 26. Tyshawn Sorey - "For Courtney Bryan", for violin 27. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - I. Blossom/American Dream 28. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - II. Fenestration/ All Men Are Created Equal 29. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - III. Inflorescence/The Pursuit of Happiness 30. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - IV. Propagation/A More Perfect Union 31. Conrad Tao - "Stones", for violin 32. Akshaya Tucker - "Pallavi - a Meditation on Care", for violin 33. Kojiro Umezaki - "Breathe", for violin & electronics To say that 2020 was a difficult year for the United States would be an understatement. Covid 19 took the lives of 385,000 people. Racism and police brutality took the lives of Ahmaud Arbery, George Floyd and Breonna Taylor, igniting nationwide and eventually worldwide protests. In California, the 4.2 million acres burned in 2020 were the most in a single year since records were kept, and more than the previous three years combined. Vicious election cycle rhetoric was boiling over, and conversations dominating cable news focused on what this country was, is, or should be. Unemployment skyrocketed. People were isolated, sick, scared and exhausted. In thinking about ways one person could make a small difference, it occurred to me that in many ways amplifying voices of others, whether it's those of centuries past, or ones of today, is an essential part of being a Classical musician. I decided to commission new works for violin from American and US-based composers, asking each one to reflect in some way on the time we were all living through. Some, like Kinan Azmeh, Christina Courtin and Kojiro Umezaki have been dear friends for decades; others like Maya Miro Johnson, Ebun Oguntola and Anjna Swaminathan were new connections; all were musicians whose artistry I respect and admire. I reached out to presenters across the country, looking for commissioning partners. As more parties signed on, the project grew; 22 new works were funded, written and recorded; rising to the surface were themes like loss and uncertainty, but also joy, friendship, gratitude and love. The process of getting to know these new works was illuminating. I found comfort in the works I knew how to approach; others required skills I wasn't good at, or never tried before, pushing me into directions I never thought I'd be exploring, and at times stretching my comfort level to what seemed like its absolute limits. My first reaction to those works was trepidation, and the old saying "you fear what you don't understand" rang in my head. I feel incredibly lucky to have had the composers gently guide me into their process, easing my worries with encouragement and allowing me to find my own way to bring their works to life. I'm definitely not a singer, nor can I play the guitar, but I'm glad I had the chance to try. I wish for all of us to experience that kind of thoughtful guidance when encountering things, people or ideas that we don't understand. My dear friend Justin Messina's work is the most recent commission, delivered in early 2022 - and as such, is not included on the album - I simply ran out of time to record. Sorry Justino. However, three works which weren’t originally part of this commissioning project are included: Layale Chaker, Dana Lyn and Akshaya Avril Tucker wrote about isolation, climate change, and recovery in 2018 - these universal themes will undoubtedly resonate for centuries to come. Over the course of the last 18 months I’ve come to think of this project as an anthology, a snapshot in time, documenting a tiny slice of the creative thought and output in this country today. I invite you to stop listening to pundits, extend your ears, open up your imagination, and trust the music to guide you into a challenging, complicated and thrilling sound world - This Is America. Johnny Gandelsman
DuckDuckGo

This Is America - An Anthology 2020-2021 (ICR023), by Johnny Gandelsman
This Is America - An Anthology 2020-2021 (ICR023) by Johnny Gandelsman, released 01 July 2022 1. Clarice Assad - "O", for violin & voices 2. Kinan Azmeh - "Sahra be Wyckoff", for violin 3. Layale Chaker - "Sinekemān", for violin 4. Christina Courtin - "Stroon", for violin 5. Olivia Davis - "Steeped", for violin - I. Impromptu 6. Olivia Davis - "Steeped", for violin - II. Moto perpetuo 7. Olivia Davis - "Steeped", for violin - III. Cadenza 8. Nick Dunston - "Tardigrades", for violin 9. Adeliia Faizullina - "Dew, Time, Linger", for violin 10. Rhea Fowler & Micaela Tobin - "A City Upon a Hill?", for violin & electronics 11. Rhiannon Giddens - "New To The Session", for violin 12. Marika Hughes - "With Love From J", for vocals & tenor guitar 13. Maya Miro Johnson - "Dance Suite", for violin - I. negating gravity on a molecular level (meditation) 14. Maya Miro Johnson - "Dance Suite", for violin - II. the virtue of lightness 15. Maya Miro Johnson - "Dance Suite", for violin - III. surrender to your tiredness (tragedy) 16. Maya Miro Johnson - "Dance Suite", for violin - IV. getting rid of our skin 17. Maya Miro Johnson - "Dance Suite", for violin - V. the sense of plenty of time (generosity) 18. Bojan Louis - "Dólii", for voice & electric tenor guitar 19. Dana Lyn - "a current took her away", for violin 20. Angélica Negrón - "A través del manto luminoso", for violin & electronics 21. Ebun Oguntola - "Reflections", for violin 22. Tomeka Reid - "Rhapsody", for violin 23. Terry Riley - "Barbary Coast 1955", for 5-string violin 24. Matana Roberts - "Stitched", for violin 25. Aeryn Santillan - "Withdraw", for violin 26. Tyshawn Sorey - "For Courtney Bryan", for violin 27. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - I. Blossom/American Dream 28. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - II. Fenestration/ All Men Are Created Equal 29. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - III. Inflorescence/The Pursuit of Happiness 30. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - IV. Propagation/A More Perfect Union 31. Conrad Tao - "Stones", for violin 32. Akshaya Tucker - "Pallavi - a Meditation on Care", for violin 33. Kojiro Umezaki - "Breathe", for violin & electronics To say that 2020 was a difficult year for the United States would be an understatement. Covid 19 took the lives of 385,000 people. Racism and police brutality took the lives of Ahmaud Arbery, George Floyd and Breonna Taylor, igniting nationwide and eventually worldwide protests. In California, the 4.2 million acres burned in 2020 were the most in a single year since records were kept, and more than the previous three years combined. Vicious election cycle rhetoric was boiling over, and conversations dominating cable news focused on what this country was, is, or should be. Unemployment skyrocketed. People were isolated, sick, scared and exhausted. In thinking about ways one person could make a small difference, it occurred to me that in many ways amplifying voices of others, whether it's those of centuries past, or ones of today, is an essential part of being a Classical musician. I decided to commission new works for violin from American and US-based composers, asking each one to reflect in some way on the time we were all living through. Some, like Kinan Azmeh, Christina Courtin and Kojiro Umezaki have been dear friends for decades; others like Maya Miro Johnson, Ebun Oguntola and Anjna Swaminathan were new connections; all were musicians whose artistry I respect and admire. I reached out to presenters across the country, looking for commissioning partners. As more parties signed on, the project grew; 22 new works were funded, written and recorded; rising to the surface were themes like loss and uncertainty, but also joy, friendship, gratitude and love. The process of getting to know these new works was illuminating. I found comfort in the works I knew how to approach; others required skills I wasn't good at, or never tried before, pushing me into directions I never thought I'd be exploring, and at times stretching my comfort level to what seemed like its absolute limits. My first reaction to those works was trepidation, and the old saying "you fear what you don't understand" rang in my head. I feel incredibly lucky to have had the composers gently guide me into their process, easing my worries with encouragement and allowing me to find my own way to bring their works to life. I'm definitely not a singer, nor can I play the guitar, but I'm glad I had the chance to try. I wish for all of us to experience that kind of thoughtful guidance when encountering things, people or ideas that we don't understand. My dear friend Justin Messina's work is the most recent commission, delivered in early 2022 - and as such, is not included on the album - I simply ran out of time to record. Sorry Justino. However, three works which weren’t originally part of this commissioning project are included: Layale Chaker, Dana Lyn and Akshaya Avril Tucker wrote about isolation, climate change, and recovery in 2018 - these universal themes will undoubtedly resonate for centuries to come. Over the course of the last 18 months I’ve come to think of this project as an anthology, a snapshot in time, documenting a tiny slice of the creative thought and output in this country today. I invite you to stop listening to pundits, extend your ears, open up your imagination, and trust the music to guide you into a challenging, complicated and thrilling sound world - This Is America. Johnny Gandelsman
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- descriptionThis Is America - An Anthology 2020-2021 (ICR023) by Johnny Gandelsman, released 01 July 2022 1. Clarice Assad - "O", for violin & voices 2. Kinan Azmeh - "Sahra be Wyckoff", for violin 3. Layale Chaker - "Sinekemān", for violin 4. Christina Courtin - "Stroon", for violin 5. Olivia Davis - "Steeped", for violin - I. Impromptu 6. Olivia Davis - "Steeped", for violin - II. Moto perpetuo 7. Olivia Davis - "Steeped", for violin - III. Cadenza 8. Nick Dunston - "Tardigrades", for violin 9. Adeliia Faizullina - "Dew, Time, Linger", for violin 10. Rhea Fowler & Micaela Tobin - "A City Upon a Hill?", for violin & electronics 11. Rhiannon Giddens - "New To The Session", for violin 12. Marika Hughes - "With Love From J", for vocals & tenor guitar 13. Maya Miro Johnson - "Dance Suite", for violin - I. negating gravity on a molecular level (meditation) 14. Maya Miro Johnson - "Dance Suite", for violin - II. the virtue of lightness 15. Maya Miro Johnson - "Dance Suite", for violin - III. surrender to your tiredness (tragedy) 16. Maya Miro Johnson - "Dance Suite", for violin - IV. getting rid of our skin 17. Maya Miro Johnson - "Dance Suite", for violin - V. the sense of plenty of time (generosity) 18. Bojan Louis - "Dólii", for voice & electric tenor guitar 19. Dana Lyn - "a current took her away", for violin 20. Angélica Negrón - "A través del manto luminoso", for violin & electronics 21. Ebun Oguntola - "Reflections", for violin 22. Tomeka Reid - "Rhapsody", for violin 23. Terry Riley - "Barbary Coast 1955", for 5-string violin 24. Matana Roberts - "Stitched", for violin 25. Aeryn Santillan - "Withdraw", for violin 26. Tyshawn Sorey - "For Courtney Bryan", for violin 27. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - I. Blossom/American Dream 28. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - II. Fenestration/ All Men Are Created Equal 29. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - III. Inflorescence/The Pursuit of Happiness 30. Anjna Swaminathan - "Surrender to the Adventure", for musician, tape & projections - IV. Propagation/A More Perfect Union 31. Conrad Tao - "Stones", for violin 32. Akshaya Tucker - "Pallavi - a Meditation on Care", for violin 33. Kojiro Umezaki - "Breathe", for violin & electronics To say that 2020 was a difficult year for the United States would be an understatement. Covid 19 took the lives of 385,000 people. Racism and police brutality took the lives of Ahmaud Arbery, George Floyd and Breonna Taylor, igniting nationwide and eventually worldwide protests. In California, the 4.2 million acres burned in 2020 were the most in a single year since records were kept, and more than the previous three years combined. Vicious election cycle rhetoric was boiling over, and conversations dominating cable news focused on what this country was, is, or should be. Unemployment skyrocketed. People were isolated, sick, scared and exhausted. In thinking about ways one person could make a small difference, it occurred to me that in many ways amplifying voices of others, whether it's those of centuries past, or ones of today, is an essential part of being a Classical musician. I decided to commission new works for violin from American and US-based composers, asking each one to reflect in some way on the time we were all living through. Some, like Kinan Azmeh, Christina Courtin and Kojiro Umezaki have been dear friends for decades; others like Maya Miro Johnson, Ebun Oguntola and Anjna Swaminathan were new connections; all were musicians whose artistry I respect and admire. I reached out to presenters across the country, looking for commissioning partners. As more parties signed on, the project grew; 22 new works were funded, written and recorded; rising to the surface were themes like loss and uncertainty, but also joy, friendship, gratitude and love. The process of getting to know these new works was illuminating. I found comfort in the works I knew how to approach; others required skills I wasn't good at, or never tried before, pushing me into directions I never thought I'd be exploring, and at times stretching my comfort level to what seemed like its absolute limits. My first reaction to those works was trepidation, and the old saying "you fear what you don't understand" rang in my head. I feel incredibly lucky to have had the composers gently guide me into their process, easing my worries with encouragement and allowing me to find my own way to bring their works to life. I'm definitely not a singer, nor can I play the guitar, but I'm glad I had the chance to try. I wish for all of us to experience that kind of thoughtful guidance when encountering things, people or ideas that we don't understand. My dear friend Justin Messina's work is the most recent commission, delivered in early 2022 - and as such, is not included on the album - I simply ran out of time to record. Sorry Justino. However, three works which weren’t originally part of this commissioning project are included: Layale Chaker, Dana Lyn and Akshaya Avril Tucker wrote about isolation, climate change, and recovery in 2018 - these universal themes will undoubtedly resonate for centuries to come. Over the course of the last 18 months I’ve come to think of this project as an anthology, a snapshot in time, documenting a tiny slice of the creative thought and output in this country today. I invite you to stop listening to pundits, extend your ears, open up your imagination, and trust the music to guide you into a challenging, complicated and thrilling sound world - This Is America. Johnny Gandelsman
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