bradkyle.substack.com/p/audio-autopsy-1983-they-dont-know/comment/39318525
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Faith Current on Front Row & Backstage
PS. I truly don't get Spector's vaunted place in history from a production standpoint. The way he layers sound gives no separation and creates what to me feels like a muddy mess and sloppy lazy production, like an artist who uses all the colors in the box because they're there That his artists succeeded and left an indelible imprint on music history is undeniable, but I can't help but think it was an in spite of not because of situation.
Bing
Faith Current on Front Row & Backstage
PS. I truly don't get Spector's vaunted place in history from a production standpoint. The way he layers sound gives no separation and creates what to me feels like a muddy mess and sloppy lazy production, like an artist who uses all the colors in the box because they're there That his artists succeeded and left an indelible imprint on music history is undeniable, but I can't help but think it was an in spite of not because of situation.
DuckDuckGo
Faith Current on Front Row & Backstage
PS. I truly don't get Spector's vaunted place in history from a production standpoint. The way he layers sound gives no separation and creates what to me feels like a muddy mess and sloppy lazy production, like an artist who uses all the colors in the box because they're there That his artists succeeded and left an indelible imprint on music history is undeniable, but I can't help but think it was an in spite of not because of situation.
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21- titleComments - Audio Autopsy, 1983: "They Don't Know" About Tracey Ullman's Brief Recording Career
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