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Glenn Fleishman

My love of photography started when I was a child, and I shot with whatever snapshot camera I could get ahold of. I graduated to an AE-1 in college, and then went digital. I had a long gap between the AE-1 and a Sony NEX-6 before I felt like I was really taking pictures again the way I loved to. I’ve since upgraded to a Fujifilm X-E4 and shoot a mix between it and an iPhone 14 Pro. I work as a technology journalist and type and printing historian. I’ve written many books, which include a trip through London’s current memory of its typographic past, London Kerning, and a letterpress-printed book (by my hand) of reporting on type, language, and history called Not To Put Too Fine a Point on It, and a broad history of printing, Six Centuries of Type & Printing. In 2019, I created the Tiny Type Museum & Time Capsule, now a sold-out edition of 108 little museums of real artifacts. Find me on Mastodon at twit.social/@glennf



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Glenn Fleishman

https://www.flickr.com/people/glennf

My love of photography started when I was a child, and I shot with whatever snapshot camera I could get ahold of. I graduated to an AE-1 in college, and then went digital. I had a long gap between the AE-1 and a Sony NEX-6 before I felt like I was really taking pictures again the way I loved to. I’ve since upgraded to a Fujifilm X-E4 and shoot a mix between it and an iPhone 14 Pro. I work as a technology journalist and type and printing historian. I’ve written many books, which include a trip through London’s current memory of its typographic past, London Kerning, and a letterpress-printed book (by my hand) of reporting on type, language, and history called Not To Put Too Fine a Point on It, and a broad history of printing, Six Centuries of Type & Printing. In 2019, I created the Tiny Type Museum & Time Capsule, now a sold-out edition of 108 little museums of real artifacts. Find me on Mastodon at twit.social/@glennf



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https://www.flickr.com/people/glennf

Glenn Fleishman

My love of photography started when I was a child, and I shot with whatever snapshot camera I could get ahold of. I graduated to an AE-1 in college, and then went digital. I had a long gap between the AE-1 and a Sony NEX-6 before I felt like I was really taking pictures again the way I loved to. I’ve since upgraded to a Fujifilm X-E4 and shoot a mix between it and an iPhone 14 Pro. I work as a technology journalist and type and printing historian. I’ve written many books, which include a trip through London’s current memory of its typographic past, London Kerning, and a letterpress-printed book (by my hand) of reporting on type, language, and history called Not To Put Too Fine a Point on It, and a broad history of printing, Six Centuries of Type & Printing. In 2019, I created the Tiny Type Museum & Time Capsule, now a sold-out edition of 108 little museums of real artifacts. Find me on Mastodon at twit.social/@glennf

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      Glenn Fleishman
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      My love of photography started when I was a child, and I shot with whatever snapshot camera I could get ahold of. I graduated to an AE-1 in college, and then went digital. I had a long gap between the AE-1 and a Sony NEX-6 before I felt like I was really taking pictures again the way I loved to. I’ve since upgraded to a Fujifilm X-E4 and shoot a mix between it and an iPhone 14 Pro. I work as a technology journalist and type and printing historian. I’ve written many books, which include a trip through London’s current memory of its typographic past, London Kerning, and a letterpress-printed book (by my hand) of reporting on type, language, and history called Not To Put Too Fine a Point on It, and a broad history of printing, Six Centuries of Type & Printing. In 2019, I created the Tiny Type Museum & Time Capsule, now a sold-out edition of 108 little museums of real artifacts. Find me on Mastodon at twit.social/@glennf
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