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Maggie Doherty: "The Problem of Other Minds"

Listen to this episode from The Critic and Her Publics on Spotify. Maggie Doherty is the author of The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s (2020), which won the Marfield Prize for Arts Writing and was a finalist for the National Book Critics Circle Award for Biography. Her writing has appeared in The New Yorker, the New York Review of Books, the New York Times, and the Nation, among other publications.  Recorded April 9, 2024 at the Shapiro Center at Wesleyan University Edited by Michele Moses Music by Dani Lencioni Art by Leanne Shapton Sponsored by the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, Lit Hub, and Knopf



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Maggie Doherty: "The Problem of Other Minds"

https://open.spotify.com/episode/1ptuTWq5RrEA3OT2BX5VFl

Listen to this episode from The Critic and Her Publics on Spotify. Maggie Doherty is the author of The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s (2020), which won the Marfield Prize for Arts Writing and was a finalist for the National Book Critics Circle Award for Biography. Her writing has appeared in The New Yorker, the New York Review of Books, the New York Times, and the Nation, among other publications.  Recorded April 9, 2024 at the Shapiro Center at Wesleyan University Edited by Michele Moses Music by Dani Lencioni Art by Leanne Shapton Sponsored by the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, Lit Hub, and Knopf



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https://open.spotify.com/episode/1ptuTWq5RrEA3OT2BX5VFl

Maggie Doherty: "The Problem of Other Minds"

Listen to this episode from The Critic and Her Publics on Spotify. Maggie Doherty is the author of The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s (2020), which won the Marfield Prize for Arts Writing and was a finalist for the National Book Critics Circle Award for Biography. Her writing has appeared in The New Yorker, the New York Review of Books, the New York Times, and the Nation, among other publications.  Recorded April 9, 2024 at the Shapiro Center at Wesleyan University Edited by Michele Moses Music by Dani Lencioni Art by Leanne Shapton Sponsored by the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, Lit Hub, and Knopf

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