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Fact, Fiction, and the Future - How We Get To Next

These publications were meant to educate–but also to entertain. Their illustrations were drawn by artists who were also some of the 20th century's most popular pulp and comics artists. They blurred the lines between scientific speculation and speculative fiction; plans for practical experiments would sit alongside articles that postulated that we'd someday have readable newspapers delivered to our television sets.



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Fact, Fiction, and the Future - How We Get To Next

https://howwegettonext.com/fact-fiction-and-the-future

These publications were meant to educate–but also to entertain. Their illustrations were drawn by artists who were also some of the 20th century's most popular pulp and comics artists. They blurred the lines between scientific speculation and speculative fiction; plans for practical experiments would sit alongside articles that postulated that we'd someday have readable newspapers delivered to our television sets.



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https://howwegettonext.com/fact-fiction-and-the-future

Fact, Fiction, and the Future - How We Get To Next

These publications were meant to educate–but also to entertain. Their illustrations were drawn by artists who were also some of the 20th century's most popular pulp and comics artists. They blurred the lines between scientific speculation and speculative fiction; plans for practical experiments would sit alongside articles that postulated that we'd someday have readable newspapers delivered to our television sets.

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      These publications were meant to educate–but also to entertain. Their illustrations were drawn by artists who were also some of the 20th century's most popular pulp and comics artists. They blurred the lines between scientific speculation and speculative fiction; plans for practical experiments would sit alongside articles that postulated that we'd someday have readable newspapers delivered to our television sets.
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      These publications were meant to educate–but also to entertain. Their illustrations were drawn by artists who were also some of the 20th century's most popular pulp and comics artists. They blurred the lines between scientific speculation and speculative fiction; plans for practical experiments would sit alongside articles that postulated that we'd someday have readable newspapers delivered to our television sets.
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