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John P. Weiss on Desk Notes by Charles Schifano
In reading this I think of my education in landscape painting, and the importance of complementary colors to bring a painting to life. Beginners might infuse too much green into a forrest scene, not realizing how much red actually exists in the environment, and that judiciously placed accents of red mixed into the green will make the piece vibrate more. So too, as you point out, in good writing and films. We need those complementary flavors to complete the feast.
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John P. Weiss on Desk Notes by Charles Schifano
In reading this I think of my education in landscape painting, and the importance of complementary colors to bring a painting to life. Beginners might infuse too much green into a forrest scene, not realizing how much red actually exists in the environment, and that judiciously placed accents of red mixed into the green will make the piece vibrate more. So too, as you point out, in good writing and films. We need those complementary flavors to complete the feast.
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John P. Weiss on Desk Notes by Charles Schifano
In reading this I think of my education in landscape painting, and the importance of complementary colors to bring a painting to life. Beginners might infuse too much green into a forrest scene, not realizing how much red actually exists in the environment, and that judiciously placed accents of red mixed into the green will make the piece vibrate more. So too, as you point out, in good writing and films. We need those complementary flavors to complete the feast.
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